Tag Archives: TV

10 Years of the Angel of Music

I realized that this year will officially be ten years since I read The Phantom of the Opera for the first time. And considering the number of times Erik has managed to pop up on my blog, it clearly made an impact on me. Well, even though it’s been ten years since I read the book, it wasn’t the first time I heard about it. No, the first time I heard about Phantom was through the TV show Wishbone.

To be perfectly honest, the Phantom in this episode straight-up terrified my four-year-old self–especially the unmasking scene; it looked as though he had peeled his face off. I never imagined it would become one of my favorite books.

As an adult, Erik is far less terrifying to me now. But I never would have known him at all if it hadn’t been for Wishbone.

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“Doctor Who” Returns…in October

The good news is that we finally have an idea of when Thirteen will be crashing onto our screens. The bad news is that it’s not until October.

We also got a glimpse of the new logo today. It’s nice and shiny, but at the same time I feel as if it’s missing something. I’m not sure what that something is yet; I just have the strangest feeling that the logo is missing something.

One thing’s for sure–October will definitely be an interesting month.

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Doctor Who Review: Twice Upon a Time *Contains Spoilers*

Well, here we are folks, the final Doctor Who review of 2017…and the final time I’ll be reviewing Capaldi’s irascible, incorrigible Twelfth Doctor. I’ll tell you what, though–there’s a part of me that feels as though he hasn’t stopped being the Doctor. I know Jodie Whittaker has officially taken over the role now, but it hasn’t quite sunk in yet. It still feels that in some corner of the universe, Twelve is still roaming around time and space making wisecracks about pudding brains and playing riffs on his guitar.

Maybe it’s because his stubbornness from “The Doctor Falls” is a holdover of sorts, and we got a double dose of it in the form of the First Doctor (portrayed here by David Bradley). Both Doctors are refusing to change; both Doctors insist they have the right to die as they are. And this stubborn insistence is creating a paradox and interfering with the normal flow of time, which is part of how Captain Archibald Lethbridge-Stewart (none other than the Brigadier’s father and Kate’s grandfather) finds himself involved in their escapade. An organization known as the Testimony extracted Archibald from his timeline temporarily in order to harvest information about his life before he died, and when they tried to return him, the regeneration paradox caused them to accidentally strand him at the South Pole. The Testimony offers the Twelfth Doctor a deal–return the Captain to them, and they will return Bill to the TARDIS. But is it really Bill? And what exactly is the Testimony’s motive?

This wasn’t a loud, bombastic, edge-of-your-seat episode; it was quiet and understated, and that mood really seemed to fit the story. It allowed the focus to be more on Twelve and his final days, and it also served as a farewell tour for Steven Moffat and Mark Gatiss (who has been both a writer and an actor on the show since the 2005 revival; here he portrays the Brigadier’s father Archibald). It was a fan’s farewell to the show, from the inclusion of the First Doctor to Rusty’s return to allowing Twelve to say goodbye to Clara and Nardole. There was passion and enthusiasm and genuine love…and Twelve’s final words are the most heartbreaking yet.

It’s difficult for me to give my impressions on Thirteen yet because, well, she didn’t really do very much. She saw her new appearance in the console screen, pushed a button, and triggered something in the TARDIS that results in her sliding out of the console room and plummeting to the world below. Honestly, I’m a little disappointed they’re going with the whole “The Doctor just regenerated, and now the TARDIS is wildly out of control” theme again–they’ve been doing this since Tennant, and it’s getting old! Do something different already!

It’s been a wild ride, and I will miss every moment of Capaldi’s tenure. Following his powerhouse performance will be no easy feat, and I wish Jodie Whittaker the best of luck. I hope for her sake that Thirteen isn’t an unlucky number.

I have to admit, though, that a part of my heart will always belong to Twelve. I could never choose a favorite; I loved them all…but Twelve, now and forever, is my Doctor.

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One and Twelve are Snarky Perfection in Latest Clip from the 2017 Christmas Special

Christmas is little over a month away, and that means the departure of the thoroughly epic Peter Capaldi as the irascible Twelfth Doctor, which makes me thoroughly sad. But then the BBC released this preview clip of the Christmas special “Twice Upon a Time”, and I forgot my sorrow. We’ll see the Twelfth Doctor have one last hurrah in what promises to be the adventure of his lives–yes, lives, as he joins forces with the one and only First Doctor. This Christmas I’ll get two of my favorite Doctors in the TARDIS together. Though I hate to say goodbye, at least we’ll be saying goodbye in style.

Well, there’s a few false starts, but you get there in the end.

I will totally miss Twelve and his (lack of) modesty.

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“Star Trek: Discovery”: Was It Worth the Wait?

Back in 2015, CBS announced the premiere of a brand new Star Trek show, Star Trek: Discovery, the first since Star Trek: Enterprise was canceled in 2005. Set roughly ten years before the events of The Original Series, Discovery follows the journey of the impulsive young officer Commander Michael Burnham (who, confusingly, is a woman) as she comes to terms with her parents’ death in a Klingon attack on a scientific outpost and struggles to honor her logical Vulcan upbringing while still embracing her human heritage. Yes, after her parents died, Michael was somehow adopted by Ambassador Sarek…the same Sarek who is Spock’s father. This makes her Spock’s foster sister, and if you’re wondering how Spock can suddenly have a human foster sister after 51 years (let alone why Sarek would agree to adopt a human child), you’re not alone. Then again, I only watched the free premiere, so maybe it was explained in part 2.

This was only one example of the parts I found troublesome. Time and again the cast and crew insisted Discovery was set in the Prime timeline, yet everything about it looked and felt as though it belonged in J. J. Abrams’ Kelvin timeline. The tech and uniforms were way too modern to be just two years after the events of “The Cage” (TOS’s first pilot episode, later reused in the two-part episode “The Menagerie”). They apparently kept some of the sound effects from TOS, but coming from such highly advanced technology, it sounded jarring and out-of-place. Just because it makes the same boops and beeps as the Prime ships doesn’t automatically mean it’s set in the Prime timeline. Try harder.

I didn’t much care for the Klingon redesign, either. Their look is already so iconic, why mess with it? It’s like suddenly making Vulcan ears round and giving them funny noses instead.

And maybe I’ll catch some flak for saying this, but it’s my blog, so I’m going to–I found it vaguely annoying that they had a woman in command of the Shenzou. It’s nothing against Captain Georgiou–heck, I think the show should have been about her instead of Commander Burnham–but at this point in the Prime timeline, ten years before TOS, women were not allowed to command a starship (don’t believe me? Go watch “Turnabout Intruder”.). Obviously that rule changed, or else we wouldn’t have Janeway and Voyager, but at this point in the Prime history, a woman in command of a starship simply wouldn’t have been a thing. I could easily have overlooked this thanks to Georgiou being awesome, but it was just one more instance of non-canon-compliance they were asking the audience to overlook.

The episode itself actually wasn’t too bad–the show has a lot of potential. I would probably continue to watch it, maybe even overcoming my objections to the canon alterations, if it were broadcast on TV the way every other Star Trek series has been. But it isn’t. CBS has seen fit to make Discovery a paid-access show; the only way to watch the season will be to subscribe to their All Access streaming service. Although Discovery was good, it wasn’t great–certainly not great enough to make me subscribe to their streaming service. And it’s sad because it really feels that CBS doomed Discovery before it even premiered by making this decision. There are hundreds, if not thousands, of other people out there who feel the same way I do, that the show was good enough that I would watch it on TV but not good enough to make me pay a monthly fee to watch it. If/when it has low viewing figures, Discovery will be pulled, and the powers-that-be will claim that audiences just aren’t interested in Star Trek anymore. No, what we’re really not interested in is your corporate greed.

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Thirteenth Doctor Announced

The wait is finally over…

I can’t say I’m sold on the choice of actor, but I’m going to watch a couple of episodes before passing judgement.

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Some Thoughts on “Doctor Who: The Doctor Falls” *Contains Spoilers*

Why, oh, why does Moffat hold out on us? He can write good stories when he wants to! And this was undoubtedly one of his best, from Missy and the Master’s interactions with each other to Nardole’s character development to Heather’s return to Capaldi blowing everyone out of the water and proving beyond a shadow of a doubt that he is the best of the modern Doctors.

Seriously, Twelve’s monologue about how he refuses to change yet again is one of the highlights of season 10 (and of his entire tenure as the Doctor). And I loved all of the callbacks to previous companions and regeneration scenes (including “I don’t want to go” and “I will always remember when the Doctor was me”). And that special appearance by One at the end–oh, man, I have never looked forward to a Christmas special so much as I am this year. My excitement is almost enough to drown out my sorrow at the upcoming regeneration.

I’m a bit sad that Bill and Nardole won’t be back with the new Doctor. I quite liked how Nardole’s character has evolved since we first met him in “The Husbands of River Song”, and as for Bill, I think this was her strongest performance in the show. I really wish she had stayed at least one more season. I didn’t start to like Clara until she was with Twelve, so I wondered if I might start to like Bill a little better if she was paired with a different Doctor. Either way, Pearl Mackie’s performance as CyberBill was outstanding and one not soon to be forgotten.

The Master and Missy together was every bit as electrifying as expected, proving that a multi-Master story has been long overdue. Part of me was hoping for a spinoff with the two of them causing havoc through time and space…up until Missy triggered her own regeneration, and the Master shot Missy with the laser screwdriver to prevent her going to help the Doctor. Are we ever going to see the Master again? He implied that Missy wouldn’t be able to regenerate because he shot her with the full strength…but that doesn’t mean Missy didn’t try after the Master left. I do hope we see the Master again. I guess the big question is will Missy continue being a woman, or will she return to being a man?

Well, folks, thus ends season 10. It has been my honor and my privilege to serve as your reviewer for these last twelve weeks. We’ll all just have to hang in there until the Christmas special (unless I find some Classic Who to review in the meantime).

Anyway, allons-y!

 

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