Tag Archives: TV

New “Doctor Who” Teaser is Here!

Honestly…I found this underwhelming and disappointing. It was really nothing more than the new companions eating, and the Doctor’s new powers were more confusing than they were intriguing. The more I hear about the new season, the more I worry Chris Chibnall doesn’t know what he’s doing, and the show will suffer for it. I really hope the ComiCon trailer scheduled for release later this week is better.

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Some Thoughts on “Doctor Who: Nightmare of Eden”

I originally hadn’t planned on writing a review of this 1979 serial, but it surprised me by going in an entirely different direction than I had expected. Featuring Tom Baker as the Fourth Doctor, Lalla Ward as Romana, and David Brierly as the voice of K-9, “Nightmare of Eden” starts off with a standard ships-in-space-are-in-trouble motif but ends with inter-dimensional portals and drug smuggling. It’s been lambasted a bit for certain scenes coming off as cheap pantomime, but I didn’t really notice anything I would describe like that. Yes, there were some silly moments, but that’s often been the case with Doctor Who, especially with the Fourth Doctor.

Speaking of silly, the monster-of-the-week Mandrels have been criticized as well for not being scary–and they weren’t–but I really liked the idea that the powder into which they crumbled after death was the new source for the deadly Vraxoin drug. In a sense, I think that should qualify them for being scary, that their dead bodies produced a substance capable of destroying entire planets.

I also liked the inter-dimensional aspects that came into play with the Continual Event Transmuter. The technology was a bit like what the primitive Time Lords used (at least, that’s the impression I got from the Doctor and Romana), so in a way it was kind of like watching the development of Time Lord technology, albeit in the hands of a human who didn’t fully understand what he was working with.

Final verdict: it’s not the best Fourth Doctor outing, but it went down some paths I hadn’t expected and so turned out to be pretty enjoyable. This is one of those take-it-or-leave-it stories–you may enjoy it, but you won’t necessarily miss out on anything if you choose to skip it.

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10 Years of the Angel of Music

I realized that this year will officially be ten years since I read The Phantom of the Opera for the first time. And considering the number of times Erik has managed to pop up on my blog, it clearly made an impact on me. Well, even though it’s been ten years since I read the book, it wasn’t the first time I heard about it. No, the first time I heard about Phantom was through the TV show Wishbone.

To be perfectly honest, the Phantom in this episode straight-up terrified my four-year-old self–especially the unmasking scene; it looked as though he had peeled his face off. I never imagined it would become one of my favorite books.

As an adult, Erik is far less terrifying to me now. But I never would have known him at all if it hadn’t been for Wishbone.

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“Doctor Who” Returns…in October

The good news is that we finally have an idea of when Thirteen will be crashing onto our screens. The bad news is that it’s not until October.

We also got a glimpse of the new logo today. It’s nice and shiny, but at the same time I feel as if it’s missing something. I’m not sure what that something is yet; I just have the strangest feeling that the logo is missing something.

One thing’s for sure–October will definitely be an interesting month.

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Doctor Who Review: Twice Upon a Time *Contains Spoilers*

Well, here we are folks, the final Doctor Who review of 2017…and the final time I’ll be reviewing Capaldi’s irascible, incorrigible Twelfth Doctor. I’ll tell you what, though–there’s a part of me that feels as though he hasn’t stopped being the Doctor. I know Jodie Whittaker has officially taken over the role now, but it hasn’t quite sunk in yet. It still feels that in some corner of the universe, Twelve is still roaming around time and space making wisecracks about pudding brains and playing riffs on his guitar.

Maybe it’s because his stubbornness from “The Doctor Falls” is a holdover of sorts, and we got a double dose of it in the form of the First Doctor (portrayed here by David Bradley). Both Doctors are refusing to change; both Doctors insist they have the right to die as they are. And this stubborn insistence is creating a paradox and interfering with the normal flow of time, which is part of how Captain Archibald Lethbridge-Stewart (none other than the Brigadier’s father and Kate’s grandfather) finds himself involved in their escapade. An organization known as the Testimony extracted Archibald from his timeline temporarily in order to harvest information about his life before he died, and when they tried to return him, the regeneration paradox caused them to accidentally strand him at the South Pole. The Testimony offers the Twelfth Doctor a deal–return the Captain to them, and they will return Bill to the TARDIS. But is it really Bill? And what exactly is the Testimony’s motive?

This wasn’t a loud, bombastic, edge-of-your-seat episode; it was quiet and understated, and that mood really seemed to fit the story. It allowed the focus to be more on Twelve and his final days, and it also served as a farewell tour for Steven Moffat and Mark Gatiss (who has been both a writer and an actor on the show since the 2005 revival; here he portrays the Brigadier’s father Archibald). It was a fan’s farewell to the show, from the inclusion of the First Doctor to Rusty’s return to allowing Twelve to say goodbye to Clara and Nardole. There was passion and enthusiasm and genuine love…and Twelve’s final words are the most heartbreaking yet.

It’s difficult for me to give my impressions on Thirteen yet because, well, she didn’t really do very much. She saw her new appearance in the console screen, pushed a button, and triggered something in the TARDIS that results in her sliding out of the console room and plummeting to the world below. Honestly, I’m a little disappointed they’re going with the whole “The Doctor just regenerated, and now the TARDIS is wildly out of control” theme again–they’ve been doing this since Tennant, and it’s getting old! Do something different already!

It’s been a wild ride, and I will miss every moment of Capaldi’s tenure. Following his powerhouse performance will be no easy feat, and I wish Jodie Whittaker the best of luck. I hope for her sake that Thirteen isn’t an unlucky number.

I have to admit, though, that a part of my heart will always belong to Twelve. I could never choose a favorite; I loved them all…but Twelve, now and forever, is my Doctor.

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One and Twelve are Snarky Perfection in Latest Clip from the 2017 Christmas Special

Christmas is little over a month away, and that means the departure of the thoroughly epic Peter Capaldi as the irascible Twelfth Doctor, which makes me thoroughly sad. But then the BBC released this preview clip of the Christmas special “Twice Upon a Time”, and I forgot my sorrow. We’ll see the Twelfth Doctor have one last hurrah in what promises to be the adventure of his lives–yes, lives, as he joins forces with the one and only First Doctor. This Christmas I’ll get two of my favorite Doctors in the TARDIS together. Though I hate to say goodbye, at least we’ll be saying goodbye in style.

Well, there’s a few false starts, but you get there in the end.

I will totally miss Twelve and his (lack of) modesty.

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“Star Trek: Discovery”: Was It Worth the Wait?

Back in 2015, CBS announced the premiere of a brand new Star Trek show, Star Trek: Discovery, the first since Star Trek: Enterprise was canceled in 2005. Set roughly ten years before the events of The Original Series, Discovery follows the journey of the impulsive young officer Commander Michael Burnham (who, confusingly, is a woman) as she comes to terms with her parents’ death in a Klingon attack on a scientific outpost and struggles to honor her logical Vulcan upbringing while still embracing her human heritage. Yes, after her parents died, Michael was somehow adopted by Ambassador Sarek…the same Sarek who is Spock’s father. This makes her Spock’s foster sister, and if you’re wondering how Spock can suddenly have a human foster sister after 51 years (let alone why Sarek would agree to adopt a human child), you’re not alone. Then again, I only watched the free premiere, so maybe it was explained in part 2.

This was only one example of the parts I found troublesome. Time and again the cast and crew insisted Discovery was set in the Prime timeline, yet everything about it looked and felt as though it belonged in J. J. Abrams’ Kelvin timeline. The tech and uniforms were way too modern to be just two years after the events of “The Cage” (TOS’s first pilot episode, later reused in the two-part episode “The Menagerie”). They apparently kept some of the sound effects from TOS, but coming from such highly advanced technology, it sounded jarring and out-of-place. Just because it makes the same boops and beeps as the Prime ships doesn’t automatically mean it’s set in the Prime timeline. Try harder.

I didn’t much care for the Klingon redesign, either. Their look is already so iconic, why mess with it? It’s like suddenly making Vulcan ears round and giving them funny noses instead.

And maybe I’ll catch some flak for saying this, but it’s my blog, so I’m going to–I found it vaguely annoying that they had a woman in command of the Shenzou. It’s nothing against Captain Georgiou–heck, I think the show should have been about her instead of Commander Burnham–but at this point in the Prime timeline, ten years before TOS, women were not allowed to command a starship (don’t believe me? Go watch “Turnabout Intruder”.). Obviously that rule changed, or else we wouldn’t have Janeway and Voyager, but at this point in the Prime history, a woman in command of a starship simply wouldn’t have been a thing. I could easily have overlooked this thanks to Georgiou being awesome, but it was just one more instance of non-canon-compliance they were asking the audience to overlook.

The episode itself actually wasn’t too bad–the show has a lot of potential. I would probably continue to watch it, maybe even overcoming my objections to the canon alterations, if it were broadcast on TV the way every other Star Trek series has been. But it isn’t. CBS has seen fit to make Discovery a paid-access show; the only way to watch the season will be to subscribe to their All Access streaming service. Although Discovery was good, it wasn’t great–certainly not great enough to make me subscribe to their streaming service. And it’s sad because it really feels that CBS doomed Discovery before it even premiered by making this decision. There are hundreds, if not thousands, of other people out there who feel the same way I do, that the show was good enough that I would watch it on TV but not good enough to make me pay a monthly fee to watch it. If/when it has low viewing figures, Discovery will be pulled, and the powers-that-be will claim that audiences just aren’t interested in Star Trek anymore. No, what we’re really not interested in is your corporate greed.

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